Abendsonne

Tomasz Skweres, Musik
Kristine Tornquist, Text

Johann Leutgeb, Heribert Büxenstein
Horst Lamnek, Hermann Hagedorn
Andreas Jankowitsch, Hartmuth Sägebarth
Juliette Mars, Stella Sorell
Ewelina Jurga, Mira, Pflegerin
Vladimir Cabak, Mirko, Pfleger
Maida Karišik, Regine
Schellpfeffer, Direktorin
Dieter Kschwendt-Michel, Maximilian
Notnagel, Hausarzt
Christa Stracke, Lotte Lange

PHACE
Doris Nicoletti, Flöte
Reinhold Brunner, Klarinette
Michael Krenn, Saxophon
Jason Pfiester, Horn
Stefan Obmann, Posaune
Maria Mogas Gensana, Akkordeon
Hannes Schöggl, Schlagwerk 1
Igor Gross, Schlagwerk 2
Tina Zerdin, Harfe
Anna Lindenbaum, Violine
Sophia Goidinger-Koch, Viola
Barbara Riccabona, Violoncello
Maximilian Ölz, Kontrabass
Reinhard Fuchs, Leitung
Markus Bruckner, Produktion PHACE
Michael Eder, Assistenz

Antanina Kalechyts, Musikalische Leitung
Kristine Tornquist, Regie
Michael Liszt, Markus Liszt, Bühne
Nora Scheidl, Kostüm
Alexander Wanko,  Lumiture, Licht
Bärbel Strehlau, Choreographie
Germano Milite, Video
Luisa Liebe, Maske
Ada Günther, Regieassistenz und Inspizienz
François-Pierre Descamps Tatjana
Kandyba. Hibiki Kojima. Vasilis
Tsiatsianis, Korrepetition und Studienleitung
Mateusz Ryczek. Philipp
Manuel Gutmann. François-Pierre
Descamps, Material
Lea Kazda, Kostümassistenz und Garderobe
Adam Lebesmühlbacher, Bühnenbau und Mitarbeit
Selina Rosa Nowak, Produktionsasistenz
Piéri Descamps. Isabella Zeisner.
Sascha Miljkovic. Johann
Ebert. Kevin Koller.Petar Pfundner, Mitarbeit

Zine Tornquist, Grafik
Isabelle Gustorff, Limits. Vortragsreihe
Barbara Vanura, PR und Presse sirene
Sylvia Marz-Wagner, PR und
Presse Wien Modern
Andreas Friess, Julia Várkonyi, Fotographie
Peter Landsmann, Paul Landsmann, Filmmitschnitt
Jury Everhartz, Produktionsleitung sirene

The Abendsonne retirement home represents the end of life for its elderly residents, a lot of work for the young nursing staff, and a business model with room for improvement for the management. Unrest arises when Büxenstein is diagnosed with cancer. As a retired doctor, he knows he has little time left. After a conversation with Stella, who is knowledgeable in metaphysical matters, the idea of initiating his reincarnation solidifies in his mind. After some doubt, his friends Hagedorn and Sägebarth are willing to help him. According to Stella’s recipe, all you need is a young couple in love – so they plan to match up the young nurse Mira and the new nurse Mirko. Büxenstein writes his will, in which he leaves Mira and her future child – that is, himself – with a generous endowment. And indeed, the two young people fall in love. Stella isn’t privy to the plans, but she senses impending doom and worries. When the lovers are finally lured into their night of love by the old men, their plan seems to be working. Things change at the last moment… A tragicomedy of survival by Tomasz Skweres (music) and Kristine Tornquist (libretto and direction), staged for the first time by the sirene Opera Theater.

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