Seid umschlungen, Millionen!

1. Mar. 2025 //19:30
Premiere

3. Mar. 2025 //19:30
4. Mar. 2025 //19:30

Johann Strauss 2025 Wien
REAKTOR

Liquid Loft
Luke Baio, dance/ choreography
Andreas Berger, composition/ soundconcept
Valentina Diaz, social media
Kim Dong Uk, dance/ choreography
Stefan Grissemann, text
Chris Haring, artistic director/ choreography
Roman Harrer, stage management
Verena Herterich, dance/ choreography
Thomas Jelinek, light design/ scenografie
Cornelia Lehner, companie management
Michael Loizenbauer, video
Katharina Meves, dance/ choreography
Dante Murillo, dance/ choreography
Anna Maria Nowak, dance/ choreography
Stefan Röhrle, costume
Judith Thaler, production
Hannah Timbrell, dance/ choreography

PHACE
Petra Ackermann, viola
Manuel Alcaraz Clemente, percussion
Stefan Obmann, trombone
Maximilian Ölz, bass
Roland Schueler, cello
Doris Nicoletti, flute
Reinhard Fuchs, artistic director
Markus Bruckner, production
Michael Eder, promotion

with musical fragments by
Franck Bedrossian,
 Pierre Jodlowski, Lorenzo Troiani
and Johannes Brahms.

An utopian ball night – a futuristic dance ball

 

“Time is out of joint” – yesterday is dancing with tomorrow. Liquid Loft and PHACE are contributing a “utopian ball night” to the Johann Strauss 2025 Vienna festival year – an etude in esprit and euphoria in the spirit of the composer. Strauss, Vienna’s waltz king, composed his dance piece Seid umschlungen, Millionen! in 1892: ten minutes of exuberance, idealism and world reconciliation. The freedom of rearranging Strauss’s late work also spans the centuries, combining electronic preparation with live music. People dance and make music, sound and movement become one in the ballroom of historical futurism. The title of the waltz goes back to Friedrich Schiller’s Ode to Joy, a poem in which the dream of a “better world”, a democracy of the flying sparks of the gods, is intact: This kiss, as Schiller suggests, belongs to the whole world.

The term “social dance,” traditionally associated with the waltz, proves unexpectedly productive in this context, as the social – and therefore political – dimensions of ostensibly entertaining and leisurely techniques are given particular emphasis. The dark sequences explore issues of authority and class, offering an associative analysis of Michel Foucault’s “microphysics of power,” that ominous interplay of everyday forces of tension and pressure acting upon bodies and subjects.

The performance unfolds as a gallery of images reflecting desires and fears, followed by a ballroom of sensory deception. In the visual spaces of this performance, a series of perceptual experiments take place. The images shift, unhurriedly, not so much accompanied by their mysterious soundtracks as clinically dissected by them. The art forms intertwine, blending choreography with cinema, sculptural and painterly elements, and musical compositions in a carefully choreographed swirl of media.

PHACE_supported_by_ske-bmkoes-stadtwien_logoblock

Event Dates

March 2025
  • Date
    Project
    Location
  • 01.Mar.2025 19:30

    Seid umschlungen, Millionen!

    Johann Strauss 2025 Wien, REAKTOR

    An utopian ball night – a futuristic dance ball

    Read more
  • 03.Mar.2025 19:30

    Seid umschlungen, Millionen!

    Johann Strauss 2025 Wien, REAKTOR

    An utopian ball night – a futuristic dance ball

    Read more
  • 04.Mar.2025 19:30

    Seid umschlungen, Millionen!

    Johann Strauss 2025 Wien, REAKTOR

    An utopian ball night – a futuristic dance ball

    Read more

 

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